Sounds more like Pat Martino's approach.
- The Barry Harris Approach To Improvised Lines Harmony Pdf Software
- The Barry Harris Approach To Improvised Lines Harmony Pdf Converter
- The Barry Harris Approach To Improvised Lines Harmony Pdf Online
The Barry Harris Approach To Improvised Lines Harmony Pdf Software
He composed 'Ko Ko' that has a partially improvised head and the chords are based on 'Cherokee' (from the book Bird: The Legend Of Charlie Parker). Bud has made a beautiful arrangement of a tune full of movements and inner lines. Barry Harris loves to play Cherokee and he is often using the song as a teaching tool.
I think Barry Harris, and everyone else really, incorporates into his
approach the fact that any diminished 7 chord actually *is* a Dom7b9
chord without a root, and in fact can be viewed as four different
ones. Thus, Bbo7, for example, is A7b9, C7b9, Eb7b9 and F#7b9 (each
without its respective root).
- Issue 1.0 - The Barry Harris approach to Improvised Lines & Harmony: An Introduction Dr. Barry Harris Profile Dr. Barry Harris is an Internationally renowned jazz pianist, composer and teacher. Harris is the recipient of an Honorary Doctorate from Northwestern University.
- Research Process: I transcribed two DVD boxes containing 8 discs of over 8 hours of workshops by pianist Barry Harris that were recorded and published by Howard Rees. Furthermore, I transcribed about 54 video's of Barry Harris that were published on the website, www.franselsen.com,.
- It is apparently something Barry Harris teaches a lot and is all over the workshop DVD's, YouTube, etc., as well as method books that are based on BH., 03:52 AM #477 tamirgal.
The Barry Harris Approach To Improvised Lines Harmony Pdf Converter
In harmonizing major and minor scales, the Barry Harris method uses,
for example, different inversions of the major sixth chord for
harmonizing a top note that is the root, third, the fifth and the
sixth. All the other scale tones (and one extra see below) are
harmonized with a diminished 7 chord having that note as the top
note. Because of the equivalence noted above, if, say you are
harmonizing Gmajor, you would harmonize the A note in the scale with
an A diminished 7 chord, but it would be functioning as a D7b9 chord,
i.e., a V7b9 chord. So when you play the scale this way ascending for
example, you are harmonizing with Imaj6 (G on top) then V7b9 (A on
top) then I maj6 (B on top), then V7b9 (C on top), etc. Of course you
need the extra note in the bebop major 6 scale to allow you to do this
all the way up. That is, your scale in this case includes the raised
fifth as well as the perfect fifth and major sixth.
Motif Waveform Editor is a powerful and easy to use editor that helps you create and edit User Waveforms for the Motif XF, MOXF and Motif XS in the most convenient way. Audio waveform editor.
Rick Stone has great articles on this, in which he describes it much
better than me, at his web site.
- Issue 1.0 - The Barry Harris approach to Improvised Lines & Harmony: An Introduction Dr. Barry Harris Profile Dr. Barry Harris is an Internationally renowned jazz pianist, composer and teacher. Harris is the recipient of an Honorary Doctorate from Northwestern University.
- Research Process: I transcribed two DVD boxes containing 8 discs of over 8 hours of workshops by pianist Barry Harris that were recorded and published by Howard Rees. Furthermore, I transcribed about 54 video's of Barry Harris that were published on the website, www.franselsen.com,.
- It is apparently something Barry Harris teaches a lot and is all over the workshop DVD's, YouTube, etc., as well as method books that are based on BH., 03:52 AM #477 tamirgal.
The Barry Harris Approach To Improvised Lines Harmony Pdf Converter
In harmonizing major and minor scales, the Barry Harris method uses,
for example, different inversions of the major sixth chord for
harmonizing a top note that is the root, third, the fifth and the
sixth. All the other scale tones (and one extra see below) are
harmonized with a diminished 7 chord having that note as the top
note. Because of the equivalence noted above, if, say you are
harmonizing Gmajor, you would harmonize the A note in the scale with
an A diminished 7 chord, but it would be functioning as a D7b9 chord,
i.e., a V7b9 chord. So when you play the scale this way ascending for
example, you are harmonizing with Imaj6 (G on top) then V7b9 (A on
top) then I maj6 (B on top), then V7b9 (C on top), etc. Of course you
need the extra note in the bebop major 6 scale to allow you to do this
all the way up. That is, your scale in this case includes the raised
fifth as well as the perfect fifth and major sixth.
Motif Waveform Editor is a powerful and easy to use editor that helps you create and edit User Waveforms for the Motif XF, MOXF and Motif XS in the most convenient way. Audio waveform editor.
Rick Stone has great articles on this, in which he describes it much
better than me, at his web site.
Here is the one concerning harmonizing using the major sixth. There
are two others relating to minor as well.
The Barry Harris Approach To Improvised Lines Harmony Pdf Online
http://www.jazzand.com/Rick_Stone/Articles/JJG-2000%20May-Chordal%20Movement%20and%20the%206th%20Dim%20Scale.pdf
